Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Oct 15, 2025 | Battements II | Rago | Lambertville | ||||
Prints & Multiples
63 x 61 cm (24.8 x 24.02 in)
lithograph in colors
Signed, dated, numbered and inscribed to lower edge ‘Prevoir cuvette et grandes marges B.à T. 75 ex. plus HC Miró 4/VIII/66". This work is a bon à tirer apart from the edition of 75 printed and published by Arte-Maeght, Paris.
Mourlot 501
Joan Miró (1893-1983)
Battements II
1966 / 1968
lithograph in colors
24⅝ h × 24 w in (63 × 61 cm)
Signed, dated, numbered and inscribed to lower edge ‘Prevoir cuvette et grandes marges B.à T. 75 ex. plus HC Miró 4/VIII/66". This work is a bon à tirer apart from the edition of 75 printed and published by Arte-Maeght, Paris.
Work is in good condition and is hinged at two point along upper edge of verso. A few areas of faint skinning and agitation to paper fibers, most notably to lower right, lower left and left edges. Minor creasing to left edge, occasional crescent creases and a few points of faint discoloration throughout. Otherwise, work presents well. Framed behind acrylic measuring 36 x 35 inches.
Signed, dated, numbered and inscribed to lower edge ‘Prevoir cuvette et grandes marges B.à T. 75 ex. plus HC Miró 4/VIII/66". This work is a bon à tirer apart from the edition of 75 printed and published by Arte-Maeght, Paris.
